Eine frühherbstliche Auswahl mit Ernte-Stillleben, nebligen Wäldern und gemütlichen Abenden zu Hause, mit Kranichen, Nachtfaltern und warmer Geometrie für den Wechsel der Jahreszeit.
September's selection follows the light indoors, with harvest colour, misty landscapes and a cosy, nostalgic thread. Food and still-life work opens the edit, with Lobster Dinner Table and Bright Yellow Still Life by Rushati Chowdhury, Apple Medley by Nic Squirrell, Cheese Wine and Friends by Ohkimiko and Pear Tree by Gustav Klimt. Mushroom season gets its own corner: Fly Agaric Botanical Study by Alexandra Weise, Giant Mushroom Forest by Florent Bodart and Ernst Haeckel's Mushroom Forest. Misty Mountain Sunbeams, Serene Misty Pines, Peaceful Autumn Path and Autumn in Oirase by Hasui carry the landscape thread, while cranes and chrysanthemums from Nicholas, Nikita Jariwala and Fadil Roze sit beside Elegant Red Moth and Elegant Black Thrush. Bea Muller's Walking In Autumn Rain, Evening reader by Gigi Rosado, Quiet Library Reading and Pensive Chess Player close the loop with reading, coffee and quiet evenings, and Patryk Krygowski's Paris Jazz Festival and Jazz Cat Bass Player keep the music going. Browse our full range of Food & Drink prints and botanical posters if you want to extend any of these groupings.
Styling this selection
Most prints here are portrait format, suited to a narrow wall, above a sideboard, or a kitchen run. For a gallery wall, group by subject: the harvest pieces, Apple Medley, Olive Branches In a Pot and Cheese Wine and Friends, sit naturally over a dining table or kitchen counter. The cranes, Japanese Crane Chrysanthemums, Vibrant Pond Crane and Serene Crane Balance, make a coherent trio for a hallway or bedroom wall. If you'd rather a single hero, Misty Mountain Sunbeams or Peaceful Autumn Path at 70×100cm anchors a room without companion prints. Because this is a monthly edit rather than a fixed category, the palette is tighter than a full subject collection, which makes mixing pieces from different subjects easier.
Match by colour temperature first. The olive, rust and plum pieces, Modern Terracotta Curves, Earthy Boho Rainbows and Golden Fern Silhouettes, read well against white or pale plaster walls, while the cooler misty landscapes and October Mist cluster better in minimal rooms. Three prints in the same format and a shared palette is usually enough for a balanced wall; there is no need to match subjects exactly. See our bestseller range for proven performers to hang alongside these picks.
Format and framing
All prints come on 225g matte fine art paper in A3, 50×70cm, 70×100cm, and A0. The illustration and still-life pieces read well at 50×70cm or larger, where colour and line register; the photography-led work, like Misty Mountain Sunbeams and Old European Street, works across every size. For framing, the harvest and kitchen prints pair naturally with Oak, the forest and crane pieces suit Walnut Brown, and the graphic, high-contrast work such as Geometric Harmony 1 and Espresso Time reads cleaner in Black. All three frame colours are available from our Berlin studio. For more colour-led work, see our abstract prints.