Novembers Auswahl dreht das Licht herunter: mondbeschienene Straßen und Tempel treffen auf kerzenlichtwarme Tulpen, Rosen und Akanthusblätter aus der Ellen-Thayer-Fisher-Reihe. Der Fuji und Koi-Karpfen tragen den japanischen Faden, zusammen mit Hasuis stillen Seen und Schneeszenen. Marja van den Hurks Blumencollagen und Dan Hobdays warme grafische Blumenmotive sorgen für die gemütliche Stimmung, während goldene Abstraktionen von Elisabeth Fredriksson die ersten geschenkfertigen Klassiker der Saison einbringen. Vierundfünfzig Drucke, ausgewählt für mehr Stille und einen leichten Übergang in den Winter.
November's selection turns the lights down, opening with a run of moonlit Japanese scenes: Night View of Saruwaka Machi, Winter Moon At Toyamagahara and Mount Fuji From Lake Yamanaka, alongside Hasui's own Nenokuchi Lake and Geisha in the Snow. A vintage botanical corner follows, built from Ellen Thayer Fisher's Tulips, Sumac and Milkweed and Duchesse De Vallombrosa Roses, paired with Acanthus and Wanzey. A modern graphic thread from Dan Hobday, THE MIUUS STUDIO and Thoth Adan keeps the page from reading too quiet, and the edit closes on gift-ready classics, Van Gogh's Almond Blossom and Hopper's Nighthawks. Browse our full range of Japanese prints and botanical prints if you want to extend any of these groupings.
Styling this selection
Most prints here are portrait format, suited to a narrow wall, above a sideboard, or a reading corner. For a gallery wall, group by mood rather than subject: the Japanese night scenes read well together in a hallway or study, while the vintage botanicals suit a bedroom or dining nook. If you'd rather a single hero, Mount Fuji From Lake Yamanaka or Nighthawks by Hopper at 70×100cm anchors a room without companion prints. Because this is a monthly edit rather than a fixed category, the palette is darker and more varied than a full subject collection, which makes mixing pieces from different subjects easier. See our bestseller range for proven performers to hang alongside these picks.
Format and framing
All prints come on 225g matte fine art paper in A3, 50×70cm, 70×100cm, and A0. The Japanese scenes and vintage botanicals read well at 50×70cm or larger, where line and colour register; the graphic and abstract pieces work across every size. For framing, the Japanese and botanical prints pair naturally with Oak, the gift-ready classics suit Walnut Brown, and the modern graphic work reads cleaner in Black. All three frame colours are available from our Berlin studio. For more graphic, geometric work, see our abstract prints.