50 × 70 cm is het Europese standaard posterformaat — en het meest verkochte formaat bij Kuriosis. Groot genoeg om een wand te domineren, compact genoeg om een kamer niet te overweldigen. Gedrukt op 225g mat Fine Art papier met archivale pigmentinkten in ons Berlijnse atelier. Met lijst in Eiken, Zwart of Walnoot, of zonder lijst.
If you are unsure which size to pick, this is probably the one. At 50 × 70 cm, the print is large enough to be the main piece on a wall but not so large that it demands a huge room. It works above a sideboard, next to a bookshelf, in a bedroom, or as the centre of a gallery arrangement flanked by smaller prints.
This is also the size most European frames are built for. Walk into any interior shop in Berlin, Amsterdam, or Zurich and the ready-made frames on the shelf will fit 50 × 70. That is not a coincidence — it is the format that works in the widest range of European apartments, where walls tend to be tall but rooms are not always wide.
One 50 × 70 print gives a wall clear purpose. Two, side by side with a few centimetres between them, create a statement without any complicated layout planning.
Choosing the Right Subject at 50×70
At this size, both detail and bold composition read well. Botanical posters with intricate plant structures hold up — you can see individual leaves and petals without leaning in. Landscape prints get enough room to breathe, with horizon lines that actually feel expansive.
Modern and contemporary subjects — geometric abstraction, colour studies, minimalist line art — make strong graphic statements at 50 × 70 without overpowering the furniture around them. If you lean toward Japanese art, this size gives Ukiyo-e and Shin-hanga prints the scale their compositions were originally designed for. See the Japanese collection.
For a safe starting point, the bestseller collection filters by what sells — most of those purchases happen at exactly this size.
Framing Options for 50×70 Prints
All prints are produced on 225g matte fine art paper with archival pigment inks. The surface is smooth and non-reflective, which means framing under glass preserves clarity without introducing distracting glare.
Three frame colours: oak suits warm interiors and pairs naturally with botanical or vintage subjects. Black creates a clean border that works with almost anything, especially photography and graphic art. Walnut brown sits between the two — warm but with enough contrast to define the edge of the print against a light wall.
Unframed is a practical choice if you want to use your own frame or if you are building a gallery wall over time and prefer to frame everything at once for a consistent look. Visit the frames and hangers collection for options you can add later.
50 × 70 cm is also the middle step between A3 prints and the larger 70 × 100 cm format. If you already have an A3 and want more impact from the same motif, this is the natural upgrade — same artwork, same quality, noticeably more wall presence.