Bauhaus posters from the school's three cities — Weimar, Dessau, Berlin. Klee, Kandinsky, Moholy-Nagy, Herbert Bayer. The foundational visual language of twentieth-century design: primary colours, geometric form, purposeful composition.
The Bauhaus school ran from 1919 to 1933 — fourteen years that changed how design was taught, thought about, and practiced. Walter Gropius founded it in Weimar with a radical premise: art and craft are the same discipline, and both should serve human life. Every student learned materials and making before they learned theory. The visual language that emerged — primary colours, geometric clarity, no ornamentation — was not style imposed from above but a working method that came from the workshop floor.
Paul Klee taught at Bauhaus for ten years and made some of his most personal work there. Wassily Kandinsky brought his colour theory. László Moholy-Nagy pushed photography and typography into directions still visible in contemporary graphic design. Herbert Bayer designed the Universal typeface that appears across the school's own exhibition posters — some of the most recognisable design artefacts of the twentieth century.
The school's posters, designed for concerts, exhibitions, and public lectures, had to communicate quickly and at scale. The grid underneath most Bauhaus print work is still the grid most designers default to now.
Choosing the Right Format
Bauhaus posters are graphic by nature — flat colour, hard edges, typographic composition. These qualities read most clearly on fine art paper, where the precise lines and bold colour blocks stay sharp. Paper prints are available in A3, 50×70cm, 70×100cm, and A0, with oak, black, or walnut brown frames. Black frames are the natural choice — they echo the geometry without competing. Natural oak also works well against the primary-colour palette.
On canvas, the texture softens the graphic edge slightly, which suits the more painterly Bauhaus works — Klee's and Kandinsky's compositions in particular. Canvas prints come in 30×40cm, 50×70cm, and 70×100cm, with an optional floating frame.
Pairing Bauhaus Prints
Bauhaus prints work particularly well in offices, studios, and rooms with strong architecture — open-plan, Scandinavian, mid-century modern. A pair or trio of exhibition posters in matching black frames makes a clean, authoritative statement.
For a broader grouping, Bauhaus posters sit naturally alongside our abstract art collection — the geometric sensibility is shared. The exhibition poster collection includes related museum and gallery prints. If you're drawn to the intersection of design and art, explore our vintage poster collection for Art Deco and Swiss modernist pieces that extend the same design lineage.
All prints are produced in our Berlin studio using archival pigment inks rated for 100+ years.