Exhibition posters in the classic museum format — the kind of print you'd find in a gallery shop after a good show. Klimt, Matisse, Kirchner, Bauhaus, and Kazumasa Ogata. Each one designed as a standalone composition with clean typography, not just a reproduction with a title bar.
Exhibition posters follow a specific visual language: a featured artwork, the artist's name, exhibition title, and often the institution and dates. It is a format born in nineteenth-century Paris and refined by museums over the following century. What makes a good exhibition poster is the same thing that makes a good art print — a strong image, well composed, with typography that complements rather than competes.
At Kuriosis, these are original compositions designed in our Berlin studio using the exhibition format. We pair works of art with clean typography in a layout that references the museum tradition. The result carries the authority of an institutional piece without the gallery shop price tag. Artists include Gustav Klimt, Henri Matisse, Ernst Kirchner, Henri Edmond Cross, and Kazumasa Ogata's botanical photographs.
Key Artists and Display Advice
Gustav Klimt's decorative compositions and gold-leaf paintings translate particularly well into the exhibition format — the strong visual identity of Viennese Secession demands a title block. Bauhaus designs from the 1923 Weimar exhibition by Rudolf Baschant are among the most recognisable posters in graphic design history. Kazumasa Ogata's botanical photographs — Japanese Azaleas, Yellow Lily, Lotus Flower — bring a quieter, more precise aesthetic to the collection.
Exhibition posters are designed to work at larger sizes. The typography needs room to breathe, and the featured artwork should read from across the room. The 70x100cm and A0 formats are the most popular here — they match the scale of actual museum posters. Fine art paper (225g matte) is the right choice for this collection. The flat surface preserves the sharp edges of typography and the graphic quality of the layout. Frames matter more with exhibition prints than with most other categories — a black frame creates the institutional look, oak softens it for a home setting, and walnut brown works well with vintage Bauhaus and Art Nouveau pieces.
Format Options and Related Collections
Paper prints are available in A3, 50x70cm, 70x100cm, and A0. Canvas prints (400g cotton) come in 30x40cm, 50x70cm, and 70x100cm for those who prefer a textured surface — though paper is the natural choice for this typographic format.
A single large exhibition poster above a desk or sofa anchors a wall with a clear, considered choice. For the full range of Impressionist and Post-Impressionist works without the exhibition format, browse the classic prints collection. If Bauhaus and early modernist design appeals, our Bauhaus collection goes deeper into that movement. For Japanese botanical works outside the exhibition format, see our Kazumasa Ogata collection.
All prints are produced in our Berlin studio using archival pigment inks rated for 100+ years. Each piece is printed to order on the day it ships.