July Picks

What’s in July’s edit

July’s selection is built for summer: citrus, coastlines, gardens, and long golden light. Fruit and still-life work leads the edit, with Andreas Magnusson’s Valencia Oranges, Ohkimiko’s Limoncello and Aperol Spritz watercolours, cartissi’s Citronnade Blue and Red, and Susan Black’s Strawberries in a Checkered Bowl. Travel posters run alongside: Lisbon, Roma, Paris, the Sagrada Família in Barcelona, and Caroline Bonne Müller’s Mediterranean coast. Garden and floral work threads through the middle, from Sophie Robinson’s Jardin Majorelle and Marylène Madou’s Vegetable Garden to Edie’s Abstract Floral Garden and Karin Lauria’s Butterfly and Moth in Garden. Sunset and landscape pieces close it out, from Angelo Cerantola’s Fiery Sunset Sky to Luisa Millicent’s Golden Autumn Sunset. Browse our full range of botanical posters and still life prints if you want to extend any of these groupings.

Styling this selection

Most prints here are portrait format, which suits narrow walls, the space above a desk, or a hallway run. For a gallery wall, group by theme: the citrus and kitchen pieces — Limones, My Lemon Garden, Lemon Illustration, Bitter Orange Flower — sit naturally together over a counter or dining wall. The travel posters — Lisbon, Roma, Snowdonia, Times Square — make a coherent set for a hallway or study. If you’d rather a single hero, a sunset piece like Red Sun Flight or Fiery Sunset Sky at 70×100cm anchors a living-room wall without companion prints. Because this is a monthly edit rather than a fixed category, the colour palette is tighter than a full subject collection, which makes mixing pieces from different subjects easier.

Match by colour temperature first. The warm citrus and Mediterranean work reads well on white or pale plaster walls, while the cooler, more graphic pieces — Florent Bodart’s Squarred Door, the Tokyo and New York travel posters — cluster better in minimal rooms. Three prints in the same format and a shared palette is usually enough for a balanced wall; there is no need to match subjects exactly. See our bestseller range for proven performers to hang alongside these picks.

Format and framing

All prints come on 225g matte fine art paper in A3, 50×70cm, 70×100cm, and A0. The graphic travel posters and typographic work read best at 50×70cm or larger, where line and detail register; the watercolour and botanical pieces work across every size. For framing, the warm-toned citrus prints pair naturally with Oak, the Japanese woodblock work by Hiroshi Yoshida suits Walnut Brown, and the graphic modern pieces read cleaner in Black. All three frame colours are available from our Berlin studio. For more colour-led work, see our abstract prints.